Wednesday, January 19

Cannes diary: cows, cuts and how a doctor starred with Deneuve | Cannes 2021


British director Andrea Arnold has taken a look at her bad experience making the second season of the hit American television drama. Big little lies, which confirms the bad moment he had during the edition.

“I learned a lot,” said Arnold, who is in Cannes to promote his new film. Cow, a documentary about an English dairy farm that premiered in a new non-competitive line at the festival. “There were five publishers in Big little lies and there were many stops and starts. “

His work, which was admired by cast members Nicole Kidman and Laura Dern, was later modified by HBO to match that of the first season’s director, Canadian Jean-Marc Vallée.

But Arnold, who has won three jury awards for past appearances in the Cannes competition, his debut Red road (2006), Fishbowl (2009) and American honey (2016), revealed at Observer who was now working on a project called Bird. “It is not called Bird in the same way that this is called Cow, “she said. So it’s not an ornithological documentary.

“Cannes is a great place to show a new movie, but I’m so exhausted from all the movies I’m watching,” added Arnold, who chairs the Un Certain Regard competition jury.

Elsewhere in Cannes, an air of mystery surrounds Wes Anderson’s film The French office, which is the big premiere on Monday. It tells the stories collected from a group of newspaper reporters, but journalists at the festival will not be able to question any of its star cast, including Timothée Chalamet, Owen Wilson, Benicio del Toro, Bill Murray, Elisabeth Moss and Willem Dafoe. nor will they see special screenings.

Limited access to production is another suspicious symptom of Covid-19’s impact on the delayed 2021 festival. All attendees from outside Europe and people with vaccines that are not yet approved in France receive a PCR test every other day. , which consists of spitting into a funnel in a glamorous way. So far, about three positive cases are detected daily.

Meanwhile, the Carlton Hotel, usually the center of the celebrity rampage, is eerily empty this year, as the famous building is being remodeled, its corridors only haunted by ghosts of past stars.

Joanna Hogg, UK Director of The memory and its now equally acclaimed sequel, The memory: part IIhe said to Observer She made a rare exception to her rule of never watching her movies for a Thursday night screening, sitting next to stars Tilda Swinton and her daughter Honor Swinton Byrne. “I may never see him again,” he said.

The trio received a standing ovation for the semi-autobiographical film, which slightly pokes fun at Britain’s National School of Film and Television. Hogg attended in the mid-1980s, before moving on to making music videos and television. No one from the school had contacted her yet, she said, but she looked forward to it.

Catherine Deneuve at the Peaceful Premiere.
Catherine Deneuve at the Peaceful Premiere. Photograph: Matt Baron / Rex / Shutterstock

As a child, Dr. Gabriel Sara, now a leading figure at New York’s Mount Sinai Hospital, was fascinated by Catherine Deneuve’s performance in the French musical classic. The umbrellas of Cherbourg. “I never forgot. He had always loved her and her movies. “Now he Observer He has learned that, after an extraordinary turn of events, the doctor, who speaks fluent French, stars alongside his idol, playing a doctor, in the drama. Do not worry, is believed to hit UK theaters later this year. “I was down to earth and it was normal. I felt comfortable with her, ”he said.

Sara met French director Emmanuelle Bercot at a screening of her film in Manhattan Head high Five years ago. They discussed his work as an oncologist and the idea for the new movie grew.

From Bercot Do not worry (In their life) deals with loss and the relationship between a child and a parent, but unlike The father, or the film starring Sophie Marceau that just premiered in Cannes, François Ozon All went well, this one is about how a father copes with the imminent death of an adult son.

“Emmanuelle wanted to do a melodrama and there is certainly a real drama every time I take a patient,” Sara said. “I have very strong ideas about honesty and how the deal should be and I hope this movie is a message. But when I first spoke to her, I had no idea that she was going to be in the movie. “On set, Sara admits that at first she was” a little lost. “” Emmanuelle wanted to see me being natural and didn’t understand how it worked. the acting at the beginning. “Now he’s ready to try someone else.” I had a ball. It was an amazing adventure. I enjoyed every part of it. I loved the perfectionism. “


www.theguardian.com

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