Liquorice Allsorts, a pair of striped leggings, the motion graphics of Top of the Pops and an X-Ray Spex album cover are just a few of the striking visual references that have inspired the kaleidoscopic home of Ms Pink and Mr Black, a creative duo.
“It all has to do with my punk background,” explains Ms Pink. “The whole punk ethic was DIY which, for me, has spread to interiors. There has never been a great plan, ”he continues. “These interiors are really an accumulation of references from my childhood and adolescence that have gradually emerged here in my house.”
Pink has lived with her three children in the same two-bedroom, two-level Victorian flat in Hackney, east London, for just under two decades. In that time, it has undergone many transformations. The fireplace alone has gone from bright white to orange, from purple to pink. Most recently, your stairs underwent a lock makeover. On the first floor, the steps were painted in flashes of neon pink and yellow, bordered by a vermilion skirting board. On the upper deck, fluorescent confetti falls down the risers. “I have recently noticed a lot of painted floors and blocks of color on the walls,” says Ms. Pink. “And it’s really easy to do – all you need is two colors and a roll of tape.”
Ms. Pink, 53, grew up in a richly decorated home in the Scottish town of Roslin. She remembers coming home from school one day to find that the magnolia hallway was covered in Liberty print wallpaper. “I was six or seven at the time, and my first thought was, ‘This is so embarrassing!’ Her mother was an art teacher in high school, so she knew about the color wheel from an early age. “I never really understood why this wheel came with a set of rules. I never really liked the rules, ”he muses. “I guess that also applies to color.”
Upon moving to London in the mid-80s, Pink fully immersed herself in the punk scene. He squatted for the first few years and recalls regularly buying cheap cans of paint. “Even if I was only in one place for six months, I would always surround myself with color, regardless of my life situation.” I wonder how she feels if she’s not surrounded by colliding shards of neon or stripes. “I become a dry flower or a dead plant,” he says. “I really don’t feel comfortable at all.”
Ms. Pink’s intrepid approach to pattern and color is pleased by a local auto body shop, where she takes many of her possessions to have them coated in high-octane hairspray. In the kitchen, for example, she settled on a palette of red, pink, neon yellow, and gray. He bought simple, cheap housings and had them sprayed to his specifications. A set of tubular steel chairs was also doused in neon yellow and upholstered in pink leatherette from eBay. “You can still see them when the lights are off,” he says.
The shelves are filled with kitchens from the 1980s. Bertie Bassett is next to Fred from Homepride, and there is a collection of angular water jars in red, pink, black and lilac on display. “Most of these things are items that I picked up years ago at the trunk sales in Walthamstow and Wood Green,” he explains. In the hallway, a collection of British-made patterned trays reaches the ceiling. “I stopped buying them now,” he admits. “I used to be able to pick them up for a couple of pounds; now they cost more like £ 25 “. He regrets the demise of decent car boot sales -” even the charity shops are cured nowadays.
Elsewhere, their home is used to showcase the couple’s range of household items, which references geometry, typography, music and optical illusions and includes graphic wallpapers, prints and cushions. Your design studio, Quirk and rescue, was founded in 2011 when, amid a trend for neutral interiors with a Scandinavian inflection, the duo saw a market for bright, bold geometric patterns.
“It all started with a cheap table,” recalls Pink. “We bought a table that we didn’t particularly like, we painted it in a pink and yellow punk design, we posted it on social media, someone offered to buy it, and it continued from there.”
Pink’s striking aesthetic is increasingly in demand and has recently begun taking on commissions for interior projects. “I realize that my home is really Marmite,” he acknowledges. “But that’s okay because no one else has to live in it. People live in the space they want to live in. “
George is Digismak’s reported cum editor with 13 years of experience in Journalism