TThe long-awaited Loki series has arrived on Disney +, with Tom Hiddleston reprising his role as the god of mischief and mayhem, the beloved MCU villain he has played in six Marvel movies. In Avengers: Infinity War, however spoiler alert, Loki died, sacrificed himself nobly in the first five minutes, and ultimately became a true Asgard hero and a credit to Jotunheim. But! For an MCU figure, nothing lasts forever except the franchise, so Loki has been brought back to us.
This has been managed by the simple act of branching out time. In Avengers: Endgame, the heroes who survived Infinity War go back in time to the immediate aftermath of 2012’s Avengers Assemble to take the two Infinity Stones that Loki had in his possession at the time, to rewrite the future. Loki (the real one, but now alive because, hello, 2012 again) took advantage of the mayhem of the temporary heist, as Lokis will, to grab the Tesseract that creates the portal and get out of there. This created a variant of Loki, and it is this Loki that we follow in this series. I trust that everything is clear.
So the variant of Loki (hereinafter referred to as Loki, because argh) appears elsewhere in time and space and is quickly captured by the Time Variation Authority, the organization in charge of protecting the Sacred Timeline. . The fact that? The Sacred Timeline, the real timeline created by three Guardians of Time, who are working to smooth out the past, present, and future so that one day we can all live in peace. Or something.
The mechanics of it can be put to the test by minds more vigorous and deeply committed than mine. I’m sure it makes perfect sense for Loki to be recruited to help them track down a variant, of himself, they believe, that is murdering and kidnapping TVA members on their time travel missions (TVA’s job is to go back and reestablish the timeline every time someone does something they are not supposed to do and starts a new unapproved timeline). MCU makers know their cosmological business.
They usually know all the other aspects of your business as well. Marvel movies are precision-engineered blockbusters, blending action and emotion, scenes and backgrounds, in nearly perfect proportions, and the first foray into television with WandaVision was a fantastically sophisticated success. However, the first two episodes of Loki (which were all that was available for your review, there are six in total), they felt flat. The first match was a long, exposure-heavy setup that felt very static, and the second match spent its first half covering almost the same terrain.
Loki is placed under the supervision of Agent Mobius M Mobius (Owen Wilson), who may know Loki better than himself. It thrusts and prods Loki’s psyche, unsettling and disconcerting him. Wilson is at the top of his game, the unassailable confidence and slight comedic edge that are his specialties with utter exhaustion, and his chemistry with Hiddleston (as fast and fun as ever, in contrast to his serious actor vibe outside of the box). screen). ) in its extensive scenes is a feast for the eyes. Together they are even better than separately and obviously they have fun playing with each other. Perhaps this is what encouraged so much to privilege the dialogue between them instead of acting in other places. If his alchemy will be enough to lift the burden that comes with turning an ensemble character (the best suited to falling in the MCU, detonating a chaos bomb and then hitting him) into a main protagonist, we will have to see.
The series is obviously meant to ask questions about identity (what is Loki without his powers, which don’t work in TVA-land? What happens if he’s forced to do infinite good under Mobius’s ever watchful eye?) , Free will (aren ‘Do the Timekeepers make all their slaves calculating the timeline for everyone?) And other such deep problems. But for the first two episodes, the characters feel like they’re nothing more than vessels for that, rather than the questions that arise organically from their stories.
Still, things perk up at the end of the second episode. If Loki leans more enthusiastically towards the time-jumping adventure aspect, as he surely must, I’m sure viewers will start to have almost as good a time as Hiddleston and Wilson clearly.
George is Digismak’s reported cum editor with 13 years of experience in Journalism