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Oscar-winning producer Alan Ladd Jr, who greenlit Star Wars, dies at age 84 | movies


Alan Ladd Jr, the Oscar-winning producer and studio boss who as a 20th Century Fox executive greenlit Star Wars, has died. He was 84.

Ladd died Wednesday, his daughter Amanda Ladd-Jones, who directed the documentary Laddie: The Man Behind the Movies, wrote in a Facebook post. No cause of death was given.

Ladd, the son of Shane star Alan Ladd, started in the film business as his father’s stuntman but rose to become one of its leading –and most widely liked– executives. As studio head at Fox and MGM (twice), Ladd – affectionately known as “Laddie” – was involved in at least 14 best-picture nominees, including Young Frankenstein (1974), The Rocky Horror Picture Show (1975), Chariots of Fire (1981) and Blade Runner (1982). As an independent producer, Ladd helped steer films including Once Upon a Time in America (1984), The Right Stuff (1983), Gone Baby Gone (2007) and Mel Gibson’s Braveheart (1995), for which he won best picture.

All told, films Ladd produced or greenlit won more than 50 Oscars and 150 nominations. And he did so with an easy-going, tight-lipped manner that made him widely admired by stars and film-makers. Esquire magazine put him on the cover in 1978 with the headline: Triumph of the Laid-Back Style.

Alan Ladd Jr on the set of Tam Lin in 1972. Photograph: Winkast/Kobal/REX/Shutterstock

A former talent agent for stars such as Robert Redford and Judy Garland, Laddjoined 20th Century Fox in 1973, and later became its president. There, he greenlit George Lucas’ $10m science-fiction film – the original script was titled The Adventures of Luke Starkiller as Taken from the Journal of the Whills, Saga 1, Star Wars – when few in Hollywood saw any potential in it.

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Lucas once recalled his meeting with Ladd, whose faith in the film-maker began with an early screening of Lucas’ American Graffiti before it was released.

“The only reason it got off the ground was that Alan liked American Graffiti and said, ‘I don’t understand this movie, I don’t get it at all, but I think you’re a talented guy and I want you to make it,’” Lucas said in Tom Shone’s 2004 book Blockbuster.

Even when the studio’s confidence wavered on Star Wars, Ladd kept his trust in what would become one of the highest grossing films ever made. His only false move from him may have been granting Lucas merchandising rights rather than a raise when American Graffiti became a hit.

“My biggest contribution to Star Wars was keeping my mouth shut and standing by the picture,” Ladd told Variety.

Star Wars wasn’t the only classic sci-fi film Ladd greenlit at Fox. Ladd also backed Alien. But the same year that 1979 film opened, after clashing with Fox chairman Dennis Stanfill, Ladd left to form the independent production company Ladd Co. On his own Ladd produced, aside from The Right Stuff and Blade Runner, films such as Body Heat and Police Academy.

But Ladd Co, weighed down by some disappointments and hefty budgets for films such as The Right Stuff, struggled to be profitable. In the mid-1980s, Ladd moved to MGM, which he would eventually lead. His two stints at the studio were less successful than his time at Fox, but movies he made there included Moonstruck (1987), Rain Man (1988), A Fish Called Wanda (1988) and Thelma & Louise (1991).

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When a loan default put MGM in the hands of Credit Lyonnais, the French bank acrimoniously ousted Ladd, who was eventually given $10m to severe his contract and two projects to take with him. He chose Braveheart.

Alan Ladd Jr stands with his wife, Cindra, for a portrait.
Alan Ladd Jr is survived by his wife, Cindra Pincock. Photograph: Alex Berliner/EIB/REX/Shutterstock

When Braveheart won best picture, some saw it as the widely admired Ladd – Richard Donner famously once said, “There are snakes in this business and then there’s Alan Ladd” – getting the last laugh.

“I guess it is kind of a sweet justice,” Ladd told the Los Angeles Times in 1996. “If I were more eloquent, I would have thanked Credit Lyonnais for treating me shabbily and allowing me to take this project with me. In fairness, MGM couldn’t have afforded to make this film at the time. Paramount could.”

Ladd was never known for his loquaciousness, though. When he, as one of three producers, accepted the Oscar, his entire speech was: “I’d like to thank my family. Thank you.”

Ladd is survived by his wife, Cindra Pincock; children Kelliann, Tracy and Amanda; half-brother, David Ladd; half-sister, Alana Ladd; and step-sister Carol Lee Stuart-Ladd.


www.theguardian.com

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