Wednesday, August 17

Paul Abbott: ‘I’ve written two scenes that I can’t bear to see’ | TV


“I wanted to write a fun forensic program,” says Paul Abbott. “It has never been done.” No one looked at Silent Witness for laughter. Bones just tried to be funny.

Wolfe is the 61-year-old award-winning television writer’s attempt to defibrillate a sick genre. When we first see our hero, Professor Wolfe Kinteh, dressed in a hazmat suit, North West England’s leading forensic pathologist is investigating a corpse found in the deboning machine of a meat processing plant. While most of the body has been stung, its legs are comically raised in the air. Was it, Wolfe wonders, an accident or did someone press the start button while the engineer was greasing the gears? Guess.

“When my seven-year-old daughter howled with laughter at the body, I knew I had done something right,” says Abbott. Expect. Is your daughter seven years old? “She must have seen 15 versions of that scene,” he says. “I would have taken her to the set, but Covid restrictions prevented it.”

Allowing her seven-year-old daughter to watch bloody television is certainly contrary to Mumsnet’s parenting standards, but the Abbott family’s values ​​have made her a canny critic. “When Wolfe looks at body parts, he says, ‘They’re plastic!’” Television has helped her read, too. “I always have the subtitles because my hearing is not great and his reading is advanced because of them.”

Abbott has a weaker stomach than her daughter. “I wrote two scenes that I can’t bear to see.” The one where a ricin-filled corpse’s stomach explodes on Wolfe’s colleagues as he darts for cover, knowing what’s coming? “Not that one.” When a bodily projectile vomits up a pacemaker that a member of Wolfe’s team later cleverly hacks for data? “Neither that. It is when they stick the needle in the vitreous humor ”, he says. “I have had laser surgery on both eyes. No problem. But that needle is getting into the eye. No! “Then there’s another moment where Wolfe tries to convince a woman to come down from the roof of a Manchester skyscraper.” I can’t see it.

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Abbott has long delighted in writing what he calls barely doable things. At Children’s Ward, who wrote when he was barely past his teens but was already a Coronation Street staff member, Abbott often invented diseases and the drugs to treat them. Will Wolfe be reported as inaccurate? “No. We have done our homework. But I’m not overwhelmed by plausibility. That’s not what drama is for.”

Rather, Wolfe is, once again, the result of Abbott dredging his own psyche for flaws to project onto a character. “I’m bipolar and Wolfe’s manic episodes are like mine. His joy when he’s bending the rules or solving a case is like I am when I’m in one, when I start writing at 5.30am. M. And then I leave at 1.30 a.m. M. With 16 pages “.

We first see the professor, played by the convincing Babou Ceesay, climbing the garden wall of her ex’s house. He breaks in and collects DNA from the semen on her sheets. But it’s not just that Wolfe is breaking into and breaking into, or that he’s illegally using his job skills to drug his new lover. It is that it is never more alive, never more connected than when it goes off the network. Wolfe is the forensic pathology replica to Fitz, the hero of Cracker, the drama about a forensic psychologist created by Corrie’s staunch partner Jimmy McGovern, for whom Abbott wrote in the 1990s. “I drink too much,” Fitz said once. “I smoke too much. I play too much. I I am too much. “Wolfe is like that. Arguably so is Paul Abbott.

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Shameless clockwise from above, Kash (Chris Bisson), Ian (Gerard Kearns), Steve (James McAvoy), Fiona (Anne-Marie Duff), Lip (Jody Latham), Debbie (Rebecca Ryan), Frank (David Threlfall), Sheila (Maggie O'Neill), Kev (Dean Lennox Kelly), Veronica (Maxine Peake) and Carl (Luke Tittensor).
Antidote … Shameless reflected Abbott’s own upbringing. Photography: Contract number (program) / Channel 4 Image Advertising

Writing has always been Abbott’s escape. It began as a teenager as an antidote to the excruciation of living on a Burnley lavatory estate in a family so dysfunctional, he tells me, that it went under the radar of social services. It was shameless minus the laughs. He was the seventh of eight children. When he was nine years old, his mother went to live with another man. At age 11, his father also went; the first was traumatic; the latter, he says, a salvation. His 16-year-old pregnant older sister took on the role of mother. Like his siblings, he didn’t go to school much, instead holding various jobs in his teens. “Everything you did was imperative: we have have to get money. “He used to get up at 4 in the morning to do a round of newspapers, because it gave him space to think, away from the domestic chaos.

But thinking caused a depression. At 15, he attempted suicide and was sectioned, pumped with medication, and locked up for 28 days. His fellow patients were, he noted, adult returnees suffering from cyclical depression. Writing freed him from that fate. The stories he wrote were about what he did not know. “It was the envy of the lifestyle.” He created in fiction what was lacking in reality.

This trend is clear at Wolfe. Behind the crimes and guts is Wolfe Kinteh’s struggle to create two families. In his laboratory, Wolfe heads a surrogate family of brilliant researchers: child prodigy Maggy (Naomi Yang); Dot (Amanda Abbington), a perimenopausal queer single mother; amateur entomologist Steve (Adam Long), and rookie ace Dominique (Shaniqua Okwok). Meanwhile, Wolfe is desperately trying to undermine his wife’s new relationship in order to put their broken family back together.

Babou Ceesay as Professor Wolfe Kinteh in Wolfe.
Off the grid… Babou Ceesay as Professor Wolfe Kinteh. Photograph: © Sky UK Limited

“Every character I write has me in them. It’s not just narcissism, ”Abbott says. Quote Debbie, the third older sister of the Gallagher family in Shameless. “He was very quiet, but then he would explode if the family was threatened. Like Debbie. “He remembers once when he was a child, he heard some boys try to sexually assault his sister in the next room.” I heard this noise, which was her driving one of them crazy. Then I ran with a knife and I yelled ‘All fuck it! Now!’ And they did. “

William H Macy in the American version of Shameless.
William H Macy in the American version of Shameless. Photograph: Cliff Lipson / Showtime / Sterling / WBtv / Kobal / Rex / Shutterstock

Shameless plundered her childhood and carried it on comedy for 11 series, from 2004 to 2013. The eldest daughter Fiona (Anne-Marie Duff) was based on her own sister. David Threlfall as Lazy, Alcoholic Paterfamilies Frank Gallagher was a thinly veiled portrait of Abbott’s father. “I knew that I was the one who wrote about him. The clues are there, inevitably. “Shameless made Abbott rich, especially when Showtime made an American version. As a result, he and his fourth Californian wife can split their time between Manchester, London, Los Angeles and France.

“Shameless is the most popular thing I’ve ever done,” he says. “It is also what my family admires more than what I have written…” A “but” is looming. “But it lasted too long.” She stopped writing for him after four series. “When I started writing it, I wanted five things to happen at once and really change the genre. By the time it was over, he was hysterical. “

I look at Abbott. It’s in your garage with a blank green screen background. The last time I interviewed him, 16 years ago, he was pacing a flat in London’s Marylebone, firing jokes and childhood horror stories, as energetic as Wolfe on the trail of a murderer or his wife’s boyfriend. At the time he was writing furiously, feasting on awards, and being courted by Hollywood. In four incredible years he produced the factory drama Clocking Off, the comedy series Linda Green, the conspiracy thriller based on the writing State of Play (the television original starring John Simm and David Morrissey was remade in 2008 as a film by Hollywood starring Russell Crowe and Ben Affleck) and the first two Shameless series.

young Abbott, right, with fellow writer Tom Elliott on the Coronation Street set.
Street smart … young Abbott, right, with fellow writer Tom Elliott on the Coronation Street set.

Since then it has softened. He has therapy several times a week. Reports have suggested that she underwent hypnotherapy to stop having so many ideas. “I did, but that was not the problem. I love to think of ideas. I just got back from France where I sat for days with a yellow notepad sketching ideas. I couldn’t be happier. “He acknowledges that the only time he wrote a duff script was in 1997, when someone else came up with the concept of a show set in the near future of Manchester called Police 2020.” It sucked. he wrote because someone thought he would do it right, but the idea was not well done. Russell T. Davies [best known for Doctor Who, Queer as Folk and It’s a Sin] he wrote to me saying that maybe 2020 was the deadline for the script. Not when he was ready. The lesson was that I shouldn’t write about someone else’s concept. “

Next, Abbott is writing a drama about a woman with an identity disorder who runs away with her son before she is sectioned. “It’s called Barking. It’s a jet black psychiatric road movie through France. “You are so productive.” It’s the best for wellness, being creative and productive. I’m a bit of a random thinker, but when I see a story emerge on paper, I don’t I could be happier. “


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