In HBO’s new series “The Gilded Age,” a frequently glossed-over aspect of Black history is put in the spotlight. Textbooks documenting this time in history would have you believe that the era’s rapid economic and social growth can be credited solely to the likes of Andrew Carnegie, JP Morgan, and Cornelius Vanderbilt. In truth, people of color also made significant contributions to the American economy of the 19th century and its vast accumulation of wealth.
With its small lineup of impressive Black characters, “The Gilded Age” highlights a time in history when African Americans did more than just escape to New York to seize their freedom — they made history.
Episode four of the new series (brought to life by “Downton Abbey” creator Julian Fellowes) dives deeper into this overlooked aspect of history by way of the character Peggy Scott (Denée Benton). The episode takes us away from the gold-lacquered neighborhood where the white elites live, and to the thriving African American community where Peggy was raised and her family de ella lives. Peggy’s parents own a beautiful Brooklyn brownstone (complete with staff) and are educated and business-minded. They are an example of their environment, where African American men and women formed social clubs, threw opulent celebrations, and flourished. Ella Peggy’s father, Arthur (John Douglas Thompson), owns a pharmacy and her mother, Dorothy (Audra McDonald), is a pianist.
In many ways, the Scott family’s appearance in the new series works to challenge previously instilled lessons of what African Americans accomplished during this time. Speaking to TODAY, Benton explained that the show brought on a new understanding of people of color during this time.
“There’s so many limiting perspectives for Black people and Black artists, what we take in from the media, from our history books about what we can and can’t be,” Benton said. “The idea of being the first is kind of this illusion that keeps you cut off from your power and from your history. I always dealt with not quite feeling like I belonged. Then I saw Peggy and I was like, ‘Oh my God, I’ve always existed.’”
While watching Peggy pursue her passions in writing, it’s hard not to think of the well-rounded Black women who inspired her storylines. Ida B. Wells, an African-American journalist, immediately comes to mind. According to The Los Angeles Times, Wells and other Black women trailblazers inspired Peggy’s role in the new series.
Julia C. Collins (who became the first Black woman to publish a novel with her book “The Curse of Caste; or The Slave Bride”) and Susan McKinney Steward (New York State’s first Black woman doctor) also contributed to what the show’s creators had in mind for Peggy. Like these women, Frances EW Harper, a slavery abolitionist, teacher, and writer, has often been overlooked for her part of her in shaping the American literary landscape, being passed up for white male novelists like Mark Twain or Nathaniel Hawthorne. In 1896, Harper helped establish the National Association of Colored Women’s Clubs, which continues to work to grant scholarships to women of color and protect their rights.
Key to establishing the Gilded Age’s elite class was the belief and attitude that members of the upper class had amassed their large fortunes due to their superior skill and intelligence. Erica Armstrong Dunbar is a Rutgers University-New Brunswick historian and served as a series co-executive producer for “The Gilded Age.” Dunbar told the Los Angeles Times that she aimed “to create a Black elite that respected and centered things like education, thrift, religious piety — things that would perhaps add to the arsenal to protect themselves from racial discrimination.”
During this time, the percentage of Black professionals was narrow, and those who worked as school teachers were considered to have had high-status occupations. As such, women like Wells, Collins, McKinney Steward, and Harper would have been held with high regard and admired amongst their community. Still, others climbed to even higher echelons of society that influenced American history.
Take, for instance, Mary Ellen Pleasant. Like George Russell, the railroad tycoon played by Morgan Spector on “The Gilded Age,” Pleasant was a self-made millionaire with significant political and financial power. Like many Black Americans drawn to the California Gold Rush, Pleasant acquired her wealth from her by diving headfirst into the bid for opportunity by moving to San Francisco. From there, Ella Pleasant began working as a live-in domestic and listened in on the information the wealthy men she worked for exchanged with one another to learn how to make the proper investments and manage her money.
Pleasant learned to invest in businesses by eavesdropping and eventually snapped up boarding houses, laundries, restaurants, and Wells Fargo Bank shares. Writer WEB Du Bois described Pleasant in his 1924 book “The Gift of Black Folk” as a “trusted confidante of many of the California pioneers such as Ralston, Mills and Booth, and for years was a power in San Francisco affairs.” Those words meant something, especially because it was Du Bois, a known intellectual elite himself, who said them.
Of humble beginnings, Du Bois rose through the ranks of society, becoming the first African American to earn a doctorate from Harvard University, and eventually became a widely published scholar and a founder of the National Association for the Advancement of Colored People (NAACP). For his part of him in the NAACP’s endeavor to further the rights and standard of living of Black people, Du Bois set out to end the practice of lynching by making it widely known through his writing of him.
Among this cohort of elites were Blanche Bruce, Josephine Willson, Mary Church Terrell, and Timothy Thomas Fortune. There was also Daniel Murray, a man whose life can be seen as a metaphor for the rise and fall of the 19th century America’s Black elite. Murray became an assistant librarian at the Library of Congress and a widely known socialite and member of the Black aristocracy. Author Elizabeth Dowling Taylor detailed Murray’s life for her in her book “The Original Black Elite: Daniel Murray and the Story of a Forgotten Era” how wealthy African Americans experienced a “brief taste of nearly equal citizenship in the nation’s capital in the late 1880s. ”
While “The Gilded Age” is a television series, there is no denying that the show accurately portrays how a population of Black Americans thrived during this era. Speaking about this upper-class group, Benton touched on her hopes of seeing the show afford viewers an appreciation for how the world was built.
“I want Black people to see that kind of freedom and access to what the story that’s always been there is and always will be,” Benton added. “I want the United States at large to really just take ownership of the true diversity that has made up this nation, and that the story that we see doesn’t exist without every type of person existing on every level.”
For their part in history, Black aristocracy shaped the landscape of modern America. During an era that experienced record rates of inequality and modernization, Black Americans of the upper class carved a place for themselves in a world that worked to cage them in and paint them as inferior. They used the freedom they’d fought to push for equal rights, education, and better wages. In seeing opportunity during this era, Black elites took the reality of their bleak circumstances and spun them into prosperity, respectability, and the very best that they could offer society as a whole.
An earlier version of this article was first published on Today.com.
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George is Digismak’s reported cum editor with 13 years of experience in Journalism